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But the dithery Rose – now self-employed as a driving instructor – initially hesitates to provide any preternatural assistance to the beleaguered Martins, given an unfortunate occult-related incident in her past. Who you gonna call? The village’s retired medium, Rose Dooley (Higgins), of course, who Martin’s concerned teenage daughter Sarah (Coleman) enlists to convince the ill-tempered ghost to complete her journey to the afterlife for the sake of everyone’s sanity.
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First, there’s exasperated widower Martin Martin (Ward), an average fella being haunted day and night by a dead wife still running the household from beyond the grave – sending otherworldly messages reminding him to pay the annual automobile tax or take the butt-dragging family dog to the vet. The film’s storylines seemingly go in 10 different directions, only to preposterously converge in defiance of all the postulates of Euclidian geometry. As a Dubliner would say, it’s absolute gas. The ingredients are unorthodox, but they come together in an uproarious way. It’s a scrummy omelette of a movie, a dish that’s off the menu. Conjure up playwright Noël Coward scrambling The Exorcist, Hellraiser, and Ghostbusters into his 1941 psychic stage comedy Blithe Spirit and you might half-imagine what Extra Ordinary tastes like. This cluttered Irish farce is more than just a wee bit bonkers, stuffed with enough nutty paranormal activity to cast out a few spirits and latch the gate to hell until the next foolish human being attempts to open it again.